In 1928, French artist René Magritte painted his famous surrealist work, “The Treachery of graphics.” It was a straightforward painting, that of a pipe using the notation Ceci n’est pas une pipe–this is certainly not a pipe. Initially blush the painting causes sort of intellectual dissonance because, of course, the artwork truly usually of a pipe–it because of the deep wooden dish while the quarter-bent stem, it which summons the lingering fragrance of grandfather’s Virginia blend. Simply put, the image illustrates whatever it claims it is not.
Maybe not a pipeline? Preposterous.
But Magritte was right. Though the painting is a representation of a pipe, it's not a pipe it self. It is not plucked from the artwork, filled up with tobacco, and smoked over a snifter of brandy in pension hours associated with the night. As well as if it may be argued that Magritte’s representation regarding the pipeline keeps most of the issues with a pipe itself (and therefore is a pipe of sorts), just one aspect, one angle of this pipe is presented. Who knows just what grave flaws the backside associated with pipeline might hold? Let's say there's some concealed problem which may make the model pipeline unsmokeable and for that reason, maybe not a pipe anyway?
Magritte’s point goes well beyond the age-old adage, “things are not what they look like.” Instead, Magritte requires the viewer to eschew traditional assumptions about photos; he asks us to see a thing for just what it really is, perhaps not just what it claims to-be.
This message generally seems to resonate in this age the electronic discussion board. We have been inundated by images, and not only by those generated by business fat kitties who desire you to think that you need next product du jour. No, the treachery of pictures moved a great deal beyond that. We have imaged ourselves, created our personal individual brands on Twitter, Facebook, Instagram, and so on, companies which hide the unseemly edges people. For the reason that, have actually we become the makers of your very own treachery, our own provocateurs? Have actually we thought each other’s avatars? Moreover, have actually we thought our own?
Our Treacherous Images
In a minute of
might be enough
our personal allies
to tell one
are more than the
which we grace
the whole world.
Our company is more than
We have been just what
that is genuine.
Today’s Poetry remind.
Surrealists attempted, by means of their particular art, to juxtapose different realities in order to signify a unique, or higher defined one. Including, the picture of pipe juxtaposed towards term “this just isn't a pipe” solidifies a third reality—namely, a picture isn't the item it self. Can we have fun with these motifs, perhaps penning pieces concerning the treachery of images inside news today? A daunting task? Maybe. However all did such good work last week that we reckon you’re around the task.
Tweetspeak’s November Surrealism Poetry Remind:
This month’s poetry theme at Tweetspeak is surrealism, and we’re composing poems that fool around with the motif. Let’s generate some surrealist poetry by playing with juxtapositions and no-cost associations. Perhaps you can gain some motivation from this month’s playlist or off their resource. We’d love you to join with us, use a Dali or Picasso as your writing prompt. How do you take part?
2. Create a poem using surrealist principles, juxtapositions, or organizations.
3. Tweet your poems to united states. Add a #TSSurreal hashtag so we find it and possibly share it using world.
4. In the event that you aren’t a-twitter user, leave your discovered poem in the comment field.
And talking about champions, last week, Robbie Pruitt composed a nice piece, inspired in part by the photos of Dali. In “Water-Soluble Time, ” He writes:
Time melts in cost savings
Occasionally I’m confused
We cannot keep time
It washes over—then out
Over face of cup,
After that, clouded over