For Jung, "the composition regarding the individual elements correlates to a logic, as if in a dream." "Basically, " he argues, "dreams tend to be collages." Inside the work, the partnership between order and condition, and homogeneity and variety, must find a diploma of balance. "A building must very first be steady and legitimate before I can then add 'disorder' - to let it travel, for example." Although digital manipulation software (over scissors and glue) is his current device of choice, Jung believes so it should in no way figure out the information of picture: "my photographs should mirror reality."
I'm constantly amazed at exactly how architectural details can stimulate certain associations and thoughts. This is the way a latticed screen conveys cosiness; someone could even state it's soulful. Framework is soothing, sometimes coming in contact with. Antennas have actually something sinister about all of them. They suggest something beyond your picture. Concrete is cool and foreign – but possibly interesting for only that reason.
Everyone loves including elements that can cause different organizations to collide with each other. I happened to be especially pleased once I could make use of my grandmother‘s old tea warmer in Expedition towards East Pole